INT. A CLEAN GETAWAY — DAY
Switching from Final Draft, honestly.
Slate imports .fdx directly. This is the no-spin version of what that means: the three-step move, exactly what carries over, exactly what doesn't, and how to keep trading pages with people still on Final Draft.
The move (about two minutes per script)
- Have your .fdx files handy. They're wherever Final Draft saves — no export step needed, Slate reads Final Draft's native format.
- In Slate: Library → Import. Pick one .fdx or several — each becomes its own script with a cover, ready to file into folders or projects.
- Skim the result. Scene count and page flow should match what you remember. The status bar shows live words and pages; the Overview shows scenes and beats at a glance.
What carries over — and what doesn't
✓ IMPORTS CLEANLY
- Scene headings, action, character cues, parentheticals, dialogue
- Shots, transitions, act markers
- Your title (from the title page)
- The words themselves — every line of them
✗ DOESN'T (YET)
- Revision colors and locked page numbers
- Embedded ScriptNotes
- Inline bold/italic styling inside lines
- Dual-dialogue side-by-side layout (imports as consecutive speeches)
The honest read: specs and drafts-in-progress move cleanly. A script mid-production with colored pages should stay in Final Draft until it wraps — Slate doesn't do production revisions yet (it's on the roadmap).
Working with people still on Final Draft
You don't have to convert anyone. Two ways to keep collaborating:
- Send pages: export a PDF (Slate's PDF is the exact pages you see) or a
.fountainfile — the plain-text screenplay format many apps read. - Get changes back: when you publish a
.fountainfrom Slate, it carries a hidden return marker — if your collaborator edits it in another app and sends it back, it re-enters Slate as a proposed revision you can review line-by-line and merge, not a mystery duplicate to reconcile by hand.
Your writing partner doesn't need to buy Slate to review your work either — reading scripts and reviewing, commenting on, and merging proposed revisions is free in Slate, forever.
What you'll want to know on day one
- Enter and Tab do the work. After a scene heading comes action; after a cue comes dialogue. Tab cycles the next element; ⌘1–⌘8 set any of the eight types directly. Press ⌘/ for the full shortcut sheet.
- Your files are plain text. Every script also lives in your save folder as
.fountain— openable in any editor on earth, with or without Slate. There's no lock-in to regret later. - Rewrites get drafts, not copies. Instead of Save As, start a draft: the original stays untouched, you write the brave version, then compare word-by-word and merge what works. This is the reason Slate exists.
- No account, no AI. The trial starts when you open the app. Nothing you write is sent anywhere, and there's no AI reading or training on your pages — by design.
Try it on a real script: import your current .fdx, rewrite one scene as a draft, compare, merge. Thirty days free, no card.
Download Slate for MacOne universal download — Apple Silicon & Intel, macOS 11 or later.
Full comparison: Slate vs Final Draft